Duke of My Heart
[1] Bowen, Kelly. Duke of My Heart. New York, NY: Forever, Hachette Book Group, 2016.
[2] Women 1800-1819 Part 2, Plate 045. August 1819. Fashion Plate. Libmma.contentdm.oclc.org. New York, NY. Metropolitan Museum of Art. https://libmma.contentdm.oclc.org/digital/collection/p15324coll12/id/7210/rec/45.
[3] T.124-1913. 1806. Evening dress; White muslin, Embroidered all over in White cotton, French, c.1806; Scarf; Printed Knitted silk; English; c.1810. Fan; Carved & Pierced ivory; English; Early 19th century. Victoria and Albert. London. Victoria and Albert Museum. https://www.vam.ac.uk/blog/fabric-of-india/guest-post-perfect-partners-muslin-and-cashmere.
[4] Walking Dress. ca. 1830. British; Cotton. New York, NY. Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/107980.
[5] Dress. 1819-21. British; Silk. New York, NY. Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/107938.
[6] Dress. 1818. British; Silk. New York, NY. Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/107941.
[7] Women 1800-1819 Part 2, Plate 046. September 1, 1819. Fashion plate. New York, NY. Metropolitan Museum of Art. https://libmma.contentdm.oclc.org/digital/collection/p15324coll12/id/7211/rec/46.
Something Like Love
[8] Jenkins, Beverly. Something like Love. New York, NY: Avon Books, 2005.
[9] Unzipped Staff. “The History of Denim.” Levi Strauss & Co, July 4, 2019. https://www.levistrauss.com/2019/07/04/the-history-of-denim/.
[10] Davis, Jacob W. Improvement in fastening pocket-openings. The United States Patent Office, issued May 20, 1873. https://patents.google.com/patent/US139121.
[11] Levi Strauss & Co. Archives. New Nevada Jeans. May 20, 2015. Online article. Levi Strauss & Co. https://www.levistrauss.com/2015/05/20/new-nevada-jeans-acquisition/.
[12] Bustle. 1870. American. New York, NY. Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/105040.
[13] Woman’s Bustle. 1885. English; Cotton twill, cotton-braid-covered steel, and cotton-braid cord. Los Angeles, CA. Los Angeles County Museum of Art. https://commons.wikimedia.org/wiki/File:Bustle_c._1885.jpg.
[14] Dress. 1870-73. American; Silk. New York, NY. Metropolitan Museum of Art. http://www.metmuseum.org/art/collection/search/107603.
[15] Afternoon Dress. ca. 1888. American; Silk, Linen, Cotton. New York, NY. Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/159041.
[16] Young African American Woman, Standing with One Arm Resting on a Table. 1870. Photographic Print: tintype, hand-tinted. Library of Congress Prints and Photographs Division. https://www.loc.gov/pictures/item/2006688029/.
[17] Dress. 1888-90. American; Wool. New York, NY. Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/175605.
[18] Dress. 1885-88. American; Cotton, Silk. New York, NY. Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/157306.
[19] "Fashion History Museum Cambridge" Seaside Cotton Afternoon Dress. ca. 1886. Cotton. Fashion History Museum. Cambridge. Fashion History Museum. https://www.fashionhistorymuseum.com/collection-artifacts?lightbox=dataItem-ke4oolxr.
The Lady's Guide to Celestial Mechanics
[20] Waite, Olivia. The Lady’s Guide to Celestial Mechanics. New York, NY: Avon Impulse, An Imprint Of Harpercollinspublishers, 2019.
[21] Bodice. 1820. White cotton. Paris. Palais Galliera, musée de la Mode de la Ville de Paris. https://www.palaisgalliera.paris.fr/en/work/bodice.
[22] Regency Underclothes. 1824. Online image. Wikimedia Commons; Book of English Trades. https://commons.wikimedia.org/wiki/File:Regency-underclothes.png.
[23] Evening Dress. ca. 1810. English; Machine made silk net, embroidered with chenille thread, with silk ribbon, hand-sewn. London. Victoria and Albert Museum. https://collections.vam.ac.uk/item/O13823/evening-dress-unknown/
[24] Vogel von Vogelstein, Carl Christian. Young Lady with Drawing Utensils. 1816. Oil on walnut wood. Dresden, Germany. Galerie Neue Meister. https://commons.wikimedia.org/wiki/File:Vogel_von_Vogelstein,_Carl_Christian_-_Young_Lady_with_Drawing_Utensils_-_Google_Art_Project.jpg.
Venus in Winter
[25] Bagwell, Gillian. Venus in Winter. New York, NY: Berkley Books, 2013.
[26] Bess of Hardwick, Countess of Shrewsbury. 1592. Oil on canvas. London. National Portrait Gallery. https://en.wikipedia.org/wiki/Bess_of_Hardwick#/media/File:Elizabeth_Talbot,_Countess_of_Shrewsbury_from_NPG.jpg.
[27] Eworth, Hans. Portrait of Mary Fitzalan, Duchess of Norfolk. 1565. Oil on panel. New Haven, CT. Yale Center for British Art. https://collections.britishart.yale.edu/catalog/tms:1275.
[28] A Young Lady Aged 21, Possibly Helena Snakenborg, Later Marchioness of Northampton. 1569. Oil paint on oak. London, United Kingdom. Tate. https://www.tate.org.uk/art/artworks/unknown-artist-britain-a-young-lady-aged-21-possibly-helena-snakenborg-later-marchioness-t00400
[29] Portrait of a Young Woman. 1567. Oil on panel. New Haven, CT. Yale Center for British Art. https://collections.britishart.yale.edu/catalog/tms:928.
[30] Gheeraerts the Younger, Marcus. Queen Elizabeth I (“the Ditchley Portrait”). 1592. Oil on canvas. London. National Portrait Gallery. https://www.npg.org.uk/collections/search/portrait/mw02079/Queen-Elizabeth-I-The-Ditchley-portrait.
[31] García de Benavarre, Pedro. Herod’s Banquet. Between 1470 and 1480. Tempera, stucco reliefs and gold leaf on wood. Barcelona, Catalonia, Spain. Museu Nacional d’Art de Catalunya. https://commons.wikimedia.org/wiki/File:Pedro_Garc%C3%ADa_de_Benabarre_St_John_Retable_Detail.jpg.
[32] Mor, Antonis. Portrait of Margaret of Parma. ca. 1559. Oil on panel, transferred to canvas. Philadelphia, PA. Philadelphia Museum of Art. https://www.philamuseum.org/collection/object/102207.
[33] Vos, Cornelis de. Portrait of a Man with a Ruff. 1640. Oil on panel. Rotterdam, Netherlands. Museum Boijmans Van Beuningen. https://commons.wikimedia.org/wiki/File:Cornelis_de_Vos_-_Portrait_of_a_man_with_a_ruff.jpg
[34] Verspronck, Johannes Cornelisz. Portrait of Adriana Croes (1599-1656). 1645. Oil on canvas. Amsterdam, Netherlands. Rijksmuseum Amsterdam. https://commons.wikimedia.org/wiki/File:Jan_Verspronck_-_Portret_van_Adriana_Croes,_1644.jpg.
An Extraordinary Union
[35] Cole, Alyssa. An Extraordinary Union. New York, NY: Kensington Books, 2017.
[36] Abel, William. Full-Length Portrait of an Unidentified African American Woman, Standing beside a Chair. 1860-70. Photographic print on carte de visite mount: albumen. Library of Congress Prints and Photographs Division. https://www.loc.gov/pictures/item/2010647809/.
[37] Jaynes, A. D. Full-Length Portrait of an African American Woman Seated Holding an African American Infant. 1860-70. Photographic print on carte de visite mount: albumen. Library of Congress Prints and Photographs Division. https://www.loc.gov/pictures/item/2010647820/.
[38] Unidentified African American Woman. 1860. Photograph: ambrotype. Library of Congress Prints and Photographs Division. https://www.loc.gov/pictures/item/2015645559/.
[39] Portrait of Sarah Forbes Bonetta. 1862. Wikimedia Commons. https://commons.wikimedia.org/wiki/File:Sarah_Davies_(n%C3%A9e_Forbes_Bonetta).jpg.
[40] Dress. ca. 1860. American; Silk. New York, NY. Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/108194.
[41] Dress. ca. 1860. American; Silk. New York, NY. Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/107883
Love with a Scottish Outlaw
[42] Callen, Gayle. Love with a Scottish Outlaw. New York, NY: Avon Books, An Imprint Of Harpercollinspublishers, 2017.
[43] Dress. 1725. British; Silk. New York, NY. Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/81607.
[44] Gown Known as “Robe Volante,” ca. 1730, Brocaded and lancé-woven figured silk, shot with spun and waved silver threads., 1730, Paris, Palais Galliera, musée de la Mode de la Ville de Paris, https://www.palaisgalliera.paris.fr/en/work/gown-known-robe-volante.
[45] Jervas, Charles. Caroline Wilhelmina of Brandenburg-Ansbach. 1727. Oil on canvas. London. National Portrait Gallery. https://www.npg.org.uk/collections/search/portrait/mw01095/Caroline-Wilhelmina-of-Brandenburg-Ansbach.
[46] Jervas, Charles. Catherine Douglas (Née Hyde), Duchess of Queensberry. ca. 1725-30. Oil on Canvas. London. National Portrait Gallery. https://www.npg.org.uk/collections/search/portrait/mw05182/Catherine-Douglas-ne-Hyde-Duchess-of-Queensberry.
[47] Ramsey, Allan. Portrait of Katherine Hall of Dunglass. 1736. Oil on canvas. Edinburgh. National Galleries of Scotland. https://www.nationalgalleries.org/art-and-artists/69411.
[48] Ramsey, Allan. Portrait of Flora MacDonald (1722-1790). 1749. Oil on canvas. Oxford. Ashmolean Museum. https://commons.wikimedia.org/wiki/File:Floramacdonald2.jpg.
[49] Chalmers, Sir George. Sir Alexander Macdonald, 1744 - 1795. 9th Baronet of Sleat and 1st Baron Macdonald of Slate. ca. 1772. Oil on canvas. Edinburgh. National Galleries of Scotland. https://www.nationalgalleries.org/art-and-artists/3078.
[50] Shirt. 1780. French; Linen. New York, NY. Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/159171.
[51] J. Claude Fres. & Cie. Buchanan - 1880. October 1, 1880. Online image. The Scottish Register of Tartans. The Scottish Register of Tartans. https://www.tartanregister.gov.uk/tartanDetails?ref=420.
[52] Cunningham, Alastair. Map of Scottish Clans. June 15, 2003. Paperback. Scottish Clans and Tartans - Souvenir Guide.
[53] The highly controversial “Vestiarium Scoticum”, published in 1842 (John Sobieski Stuart. Vestiarium Scoticum: From the Manuscript Formerly in the Library of the Scots College at Douay. Edinburgh: William Tait, 107, Prince’s Street, 1842.), is regarded as the first published indication of tartan pertaining to specific Scottish clans. It was later determined to be a forgery. http://www.tartansauthority.com/tartan/the-growth-of-tartan/vestiarium-scoticum/ (For the full anaylsis of the forgery, see Calder Stewart, Donald, “Scotland's Forged Tartans: An Analytical Study of the Vestiarium Scoticum”. Edinburgh: Paul Harris. 1980.)